“Canopies: Kimberly Clark”

With each exhibition, we will post interviews with the participating artists along with a photo of said artists in their studios and images of their work. In the future, we will post videos of artist interviews.

“Canopies” opens June 27th and continues through August 22, 2015

The exhibitions includes the work of Kimberly Clark, Eric Elliott, Tamblyn Gawley & Evelyn Woods.

Reception for the artists, June 27th, 2 – 4 pm

Artist Interview #11: Kimberly Clark

IMG_3377

1. Are you a full time artist, if not how do you support your art?

I work part time and paint part time. Currently, I am the website manager at Prographica and the off-site gallery assistant at Koplin Del Rio Gallery, Prographica’s affiliate in Culver City, CA. In addition to this work, in the fall, I will be the Art History Instructor and Gallery Coordinator at the Fine Art Center (a high school for the fine and performing arts in Greenville, SC).

2. When did you consider yourself an artist?

Right after I my undergraduate studies, I received a commission to design and paint two 10’ x 50’ murals for a retirement home outside Philadelphia. The walls were being refinished, so I had to come up with a way to complete the project in my studio. At the time, my roommate and I were sharing a loft space in an old home that was once a mansion in North Philadelphia. Our studio was what used to be the ballroom. In the end, I created two multi-panel installations that included over 100 hand-built stretchers. I worked full-time on the project from design to installation for about 8 months. It was an amazing project to complete at a formative time in my career.

3. What are your influences?

Time spent in the landscape is the main influence on my work. Painting in the landscape is, for me, meditation of a kind; time begins to slow, and as it does, life becomes less complex. Looking into and through the trees is where I see harmony and is the focus of my current body of work.

Reading Emerson and Rilke were early influences and still are. Monet was the first artist my mom showed me when I was a child. After that, my list like anyone’s is long, but the most important are Cezanne, Turner, Innes, Corbet, Constable’s studies, David Hockney’s photos, Van Gogh’s drawings, Joan Mitchell, and Jake Berthot. I have been fortunate to work as an assistant to two artists in Seattle for which whom I have the utmost respect. An influence not so much on my work, but that has been important to me throughout my life, has been the music of Bruce Springsteen.

4. How big is your studio, what kind of lighting?

I converted a bedroom in my home as my studio. It’s about 150 sq. ft. My yard is rather large and is full of trees, so I split my time between the two. I try to paint as much as I can with natural light and supplement it with artificial light when needed.

5. What is a typical day in the studio like for you? Do you listen to music, radio or tv in your studio?

Since moving from Seattle to Greenville, SC last year, I work from home. Before I start my day, I go into the studio to look at what I worked on the day before. Several days a week, I work on projects for either KDR or Prographica and sometimes both. To clear my mind before entering the studio, I go for a ride on my road bike and sometimes for a hike. When I enter the studio, I’ll usually sit in silence for a little while to determine my next move. I sometimes listen to music or a podcast, but more and more I find myself working in silence, listening to the birds outside or now that summer has arrived, the thunderstorms that arise in the late afternoon.

6. What is your preferred medium? Do you work on one project at a time or several?

I try to work on a watercolor outside directly from the landscape and an oil painting in the studio. I like to have several paintings going at once so that I can allow one to sit for a time if needed.

7. Do you have any special or unique tools, devices or process that you use in your art making?

Not really, pretty straight forward, though I am always looking for things that I can press into the paint on my palette and then onto the canvas to produce small circles. If you look closely, you may see them in many of my paintings.

8. What do you do outside the studio, aside from a job?

IMG_3399

I try to spend as much time outside as possible and enjoy hiking, biking and camping with my boyfriend, Josh. Our dog, Emmy is a wonderful traveling companion and keeps me company in my studio. I’ve always gone on long road rides and this past year I have really gotten into mountain biking. It brings together my love of biking and being in the forest. There is awesome mountain biking all around Greenville. In the early evening, I enjoy sitting on the front porch and watching the lightning bugs light up our yard. I also spend as much time as I can in the kitchen. Recently, I have become interested in baking bagels and breads and I try to make fresh pasta once a week.

Canopies: Eric Elliott

With each exhibition, we will post interviews with the participating artists along with a photo of said artists in their studios and images of their work. In the future, we will post videos of artist interviews.

“Canopies” opens June 27th and continues through August 22, 2015

The exhibitions includes the work of Kimberly Clark, Eric Elliott, Tamblyn Gawley & Evelyn Woods.

Reception for the artists, June 27th, 2 – 4 pm

Artist Interview #10: Eric Elliott

Elliott-studiopic

1. Are you a full time artist, if not how do you support your art?

I currently teach part time, work part time at Prographica Gallery, and make art part time.

2. When did you consider yourself an artist?

Although I’ve been drawing for as long as I can remember, I made the decision to dedicate myself to becoming an artist when I was 19 or 20. But, I don’t think I considered myself an artist until after graduate school when I was still making art, but no longer an art student.

3. What are your influences?

I’m influenced by pretty much everything around me, whatever I’m reading at the time, the art I’m looking at, the houseplants in my apartment, the light, the weather, the seasons… The artists who have influenced my work the most are Giacometti, Cezanne, Morandi, Antonio Lopez Garcia, Euan Uglow, Philip Guston, Monet, Edwin Dickinson, Ann Gale, Vuillard… the list can go on and on.

4. How big is your studio, what kind of lighting?

I have only been in my current studio for about 6 months and it is about 300 sq. ft. It has natural light from skylights, which has been a struggle to figure out how to control the light for my still lifes. For nighttime and dark days, there are overhead lights with a mixture of different temperature light bulbs.

5. What is a typical day in the studio like for you? Do you listen to music, radio or tv in your studio?

I usually sit in silence when I first get to the studio and figure out what I want to tackle for the day. Once I’ve made a decision on what I’m going to do, I’ll put on NPR, a podcast, or an audio book and get to work. My brain likes to chatter and I find that having something on in the background keeps that part of my brain busy, but when I have a big decision to make I usually pause what I’m listening to until I’ve figured out the next step. I’ll take a break for lunch and then get back to painting until dinnertime.

6. What is your preferred medium? Do you work on one project at a time or several?

I prefer oil paint, and I usually have a few things going at once. At various stages during a painting I like to look at it for a while to figure out what to do next, and while I do that I usually start something new.

7. Do you have any special or unique tools, devices or process that you use in your art making?

Nope. All pretty standard tools, devices, and process.

8. What do you do outside the studio, aside from a job?

I hang out with my wife Devyn, watch an episode of something, read, and think about the next painting.

* Eric’s work is represented by James Harris Gallery in Seattle.

“Canopies: Evelyn Woods”

With each exhibition, we will post interviews with the participating artists along with a photo of said artists in their studios and images of their work. In the future, we will post videos of artist interviews.

“Canopies” opens June 27th and continues through August 22, 2015

The exhibitions includes the work of Kimberly Clark, Eric Elliott, Tamblyn Gawley & Evelyn Woods.

Reception for the artists, June 27th, 2 – 4 pm

Artist Interview #9: Evelyn Woods

Evelyn Wood_0061

1. Are you a full time artist, if not how do you support your art?

Unfortunately not… I mainly support myself as an artist as an LMP (licensed
massage practitioner). In addition, I do some window display design which
includes the construction and installation of props and some interior retail
merchandising. Being self-employed allows me to create big chunks of time
that I can spend in the studio.

2. When did you consider yourself an artist?

I found this to be an interesting question. So, I thought about what defines an
artist. So, I googled it. Here’s Wikipedia’s definition. “An artist​ is a person
engaged in one or more of any of a broad spectrum of activities related to
creating art, practicing the arts, and/or demonstrating an art. The common usage
in both everyday speech and academic discourse is a practitioner in the visual
arts only.” Simple enough. So I questioned when I felt I was a “serious” artist
and can say that that process started after having completed graduate school
and continues as I question myself constantly. External validation is a wonderful
thing but certainly not always forthcoming. So what’s important to me is knowing
internally that I am a serious artist.

3. What are your influences?

In the past when I was mainly working in charcoal I was influenced by the works
of Louise Nevelson. Loved all that going in and out of those dark spaces she
created with found scraps. Currently my focus has been on painting the natural
world. Trees, scrubby brush, brambles and reeds etc. What draws me to these
images is not the literal image so much as how I feel about them and what my
experience has been when in nature which reaches back into my childhood.
Again my work is about going inside.

4. How big is your studio, what kind of lighting?

I previously had a studio that was 600sq. ft. in size. For lighting I installed full
spectrum daylight fluorescents. Then I sold my home and studio. I currently have
the good fortune to be able to work in 100 year old boathouse with a wonderful
view of Puget Sound. The lighting is a bit makeshift in that it is a combination of
halogen and your basic hardware store clip­on lights. The next studio I build may
not be a large as the first but will have the same lighting.

5. What is a typical day in the studio like for you? Do you listen to music, radio or tv in your studio?

I like to start the day slowly. Have a pot of tea and think about the day followed
by a brisk walk just to clear the brain. I used to listen to music but found that
listening to audiobooks helps me to be less self­conscious about painting. I have
found that listening to a story and painting at the same time really engages my
brain and I don’t feel bad about not reading as much as I would like to.

6. What is your preferred medium? Do you work on one project at a time or several?

Pretty straightforward stuff. Oil paints,charcoal,gesso and graphite. I usually
work on one piece at a time although I will put one aside if I feel stuck or unsure
about my direction. At that time I will start a new work and pull out the previous
work later to see if it can be saved. I usually have about three pieces in my mind
that I can’t wait to get started on.

7. Do you have any special or unique tools, devices or process that you use in your art making?

Yes and no. My charcoal drawings are all drawn using a subtractive technique.
Not unusual but the way I adhere the charcoal to the primed paper via a solvent
might be. After the solvent dries I am left with this very rich and warm black
surface. I paint with oils using standard painting techniques.

8. What do you do outside the studio, aside from a job?

evelyn yoga

I always feel in my element when taking long walks, usually solitary walks. Doing
my yoga practice is a must both physically and mentally. Love digging in the dirt
and growing a garden which produces some wonderful stuff to cook with.
Another of my passions, cooking and eating. Spending time with my loved ones
and a few very good friends is a high priority. I have a two and a half year old
grandson who I get to spend one day a week with since he was three months old.
That time with him keeps me both active and young in spirit!

“Canopies: Tamblyn Gawley”

With each exhibition, we will post interviews with the participating artists along with a photo of said artists in their studios and images of their work. In the future, we will post videos of artist interviews.

“Canopies” opens June 27th and continues through August 22, 2015

The exhibitions includes the work of Kimberly Clark, Eric Elliott, Tamblyn Gawley & Evelyn Woods.

Reception for the artists, June 27th, 2 – 4 pm

Artist Interview #8: Tamblyn Gawley

IMG_1073

1. Are you a full time artist, if not how do you support your art?

I am bouncing around a lot right now, but I do rely on other sources of income. Last year, I was fortunate enough to spend the year in New Zealand on a Fulbright Grant, hiking and making art.

2. When did you consider yourself an artist?

I’ve been practicing art for as long as I can remember, learning from my mom and taking lessons. Throughout high school, undergrad, and grad school, I always referred to myself as an art student or a painter. More recently, I’ve started to adopt the “artist” title, since I’m working in multiple media and “painter” isn’t very accurate anymore.

3. What are your influences?

I take inspiration from many places. Most of my source material comes from photographing tree roots and branches while hiking and camping. I’ve been thinking a lot about the self-reflective elements of modern literature, and finding ways to incorporate similar ideas in visual art. I look to a range of painters; my current favorites are Cezanne, John Singer Sargent, Sylvia Plimack Mangold, Tom Thomson and the Group of Seven, Whistler, and Jim Dine.

4. How big is your studio, what kind of lighting?

Tamblyn's studio in Christchurch, New Zealand in 2014.

Tamblyn’s studio in Christchurch, New Zealand in 2014.

Unfortunately, I don’t have a studio right now, so I work out of my apartment. In the past, I’ve had a range of studios, the best of which had excellent natural northern light (southern light in New Zealand!).

5. What is a typical day in the studio like for you? Do you listen to music, radio or tv in your studio?

A studio day includes working on unfinished drawings or paintings, prepping plates for the printing press, running prints, working through my images and ideas for new pieces, and prepping new surfaces. When working, I usually listen to music, with a lot of Neil Young and CCR.

6. What is your preferred medium? Do you work on one project at a time or several?

For years, I worked almost exclusively in oil paint. More recently, I have been working in graphite, gouache, and lithography. I tend to have one piece that is the primary focus, but I also prep new ideas and revisit older works that I’m not satisfied with. I often work in series, so the whole series will usually be in progress as one work.

7. Do you have any special or unique tools, devices or process that you use in your art making?

In New Zealand, I was introduced to Pronto paper, a polyester lithographic plate. It’s been a wonderful medium that allows me to mix drawing and painting. The plates are quicker to work with than the traditional stone. They wear out after a series of prints, but, trained as a painter, I enjoy the limit to the number of prints I can create.

8. What do you do outside the studio, aside from a job?

I love spending time in the outdoors and exploring new areas. Whenever possible, I go hiking, backpacking, and car-camping. On these trips, I photograph the numerous branch and root formations that catch my eye, and then revisit the images in the studio at a later date. I use the images and my memories of the time and place to create my work.