Things That Kill curated by Norman Lundin
“Consider, for example, such varied assassins as leaded water, pills, red meat, too much sun…. Consider, for a moment more, that of the many things that kill, countless are appealingly beautiful as well as lethal, seducing artist and viewer. How to handle these “killers” in such a way that the intended expressive implications are conveyed, is as formidable an artistic challenge as engaging the more overt content implied by the show’s title.” -Norman Lundin
Including work by: Fred Birchman, Brian Blackham, Marsha Burns, Joe Crookes, John Fadeff, Ellen Garvens, Jim Holl, Michael Howard, Amy Huddleston, Caroline Kapp, Dianne Kornberg, Riva Lehrer, Brian Murphy, Elizabeth Ockwell, Anne Petty, Glenn Rudolph, Graham Shutt, Kathy Vargas and Evelyn Woods
September 1 – October 29, 2016
Opening Reception: First Thursday, September 1, 6 – 8pm
Artist Interview #29 Part 2: Caroline Kapp
1. In what way is your work a reflection of the theme “Things That Kill”? Is your work for this show in line with or an exception to your usual way of working?
Working within a theme is a natural way of working for me, whether it’s a single image idea or larger concept for a series. I generally start everything with sketches, but looking back at the initial concept work for this show, I started with written words and scenarios. Things like ‘ways to be killed’ and ‘things that can die’. This led to more words, ‘suffocation’ ‘buried’ ‘canned’ then concepts like what we find ourselves living up to, or what can break us down, air and breath. Those led to more ideas about what doesn’t kill, what lives and thrives. The sketched images emerged out of those words and concepts. So the process for creating the ideas for this theme was a little different because of the words and scenarios I considered before the sketches that dissected ideas surrounding ‘things’ and ‘kill’ independently of each other as well as together.
2. How did you approach the subject matter?
The subject matter came directly from the sketch concepts, so all of it had to be gathered and staged in different ways, and that’s not unusual in my approach. Some of the objects I worked with for this show required some unusual manipulation or arrangement though, like ‘Consumed’ with the empty cellulose capsules that had to be melted layer by layer with warm water around a straw to form the shape. It took about 6 days to fully dry, and by then it had started decomposing which was fascinating to watch. This theme pushed the need to transform the subject matter more than usual. There was a lot of waiting and gritting of teeth waiting for something to collapse, wilt, pop or explode before actually capturing the imagery or even setting things up.
3. Are there any anecdotal notes that may give insight to a new viewer about your work in “Things that Kill”?
The title struck me as menacing when I first heard it, and the show theme really made its way into my subconscious. I think that’s a good thing to happen in any theme or series-based work, but it surprised me; for a while, every article and book I read, every site I looked at, every commute and trip to the grocery store began to relate to killing or surviving – food, work situations, basic needs, power struggles, medicine, health and physical deterioration of all types. This theme definitely led to working with a few new materials and techniques to explore different ways to realize the ideas in relation to the theme – materials that are impermanent, techniques that are not lightfast, things that are really fragile and can break up, fog or deteriorate easily.