“Observing Observing (a white cup): Sarah Bixler”


With each exhibition, we will post interviews with the participating artists along with a photo of said artists in their studios and images of their work. In the future, we will post videos of artist interviews.

“Observing Observing (a white cup)” opens September 12th and continues through October 31, 2015

Curated by Eric Elliott, Michael Howard & Norman Lundin. More than twenty artists (both gallery artists and not) accepted the invitation to submit work.

Reception for the artists, Sept. 12, 2 – 4 pm

Artist Interview #31: Sarah Bixler”


1. How did you respond to the idea of the white cup?

I’ve always enjoyed paintings of white objects, in white environments. I was excited to have an excuse to paint one. I also rarely paint from still life, so the change of pace and logistics was a welcome challenge.


2. Are you a full time artist, if not how do you support your art?

I support myself through teaching and odd jobs.

3. When did you consider yourself an artist?

I am still struggling with that identity I think.

4. What are your influences?

I am influenced by so many things, what I am reading, what I am doing… looking at. I think I became an artist (or at least wound up at art school) because it synthesizes so many different disciplines and gives me an excuse to be endlessly curious and to spend my time learning about lots of different things. Some painters I go back to again and again are Edwin Dickinson, Alberto Giacometti, Antonio Lopez Garcia, Anne Gale, Euan Uglow, Frank Auerbach, Villhelm Hammershoi, Seurat’s drawings, Gwen John… Any list feels incomplete. My list is always expanding, and evolving based on whatever problem I am working on.

5. How big is your studio, what kind of lighting?

I have converted my dining room into a studio, or accommodated my studio to my dining room… It is not very big… maybe 150 sq ft, the light is South facing from large pane windows. I only belatedly realized how little wall space I have, but I love all the window space. Natural lighting is important to me. The walls are deep burgundy, which I became more and more aware of as I painted my white cup, on its white stand, with all the bounced light.

6. What is a typical day in the studio like for you? Do you listen to music, radio or tv in your studio?

My schedule is really unpredictable right now. So, a typical “day” in my studio… I’m not sure I’ve experienced that in a while. I do my best work in the morning so I try to get started early. I am often unsure of what to do first and I find that walking or running can help me sort through my priorities for the day. Once I’m back in my studio I’ll often start by looking at images I’ve collected relating to my project, or by just putting myself in the space, looking at my painting, tidying things up. I almost always listen to music or NPR or podcasts. Lately I’ve spent most of my time on small landscape paintings and studies outside.


7. What is your preferred medium? Do you work on one project at a time or several?

I am always working on something. I’ve been doing small gouache paintings and drawings of buildings and scenes outdoors. I think having many things going at once can helps me avoid overworking any one painting and also keeps the process new and exciting. I can try new things and experiment.

8. Do you have any special or unique tools, devices or process that you use in your art making?

Not really… Just paint, and stuff to paint with. I’ve been into edges, I really like having the contrast of a straight edge, so I’ve been fond of tape.

9. What do you do outside the studio, aside from a job?

I like running, biking and exploring. I enjoy working with my hands, so I’m always falling into new projects. I just took apart my cellphone to install a new screen, which was more involved than I anticipated. I enjoy reading and do a lot of ‘research’ reading, I’d like to read for pleasure more often.